Stratford on Slaney

St. John the Baptist's Anglican Church c. 1780's
Mary Hargaden September 2015
Town of Stratford-on-Slaney 6" Map Circa 1830's
OSI 6" Maps
Aldborough House
House in Stratford-on-Slaney built by Earl Aldborough - Stratford
Mary Hargaden September 2015
St. Mary's Catholic Church Stratford-on-Slaney
Mary Hargaden September 2015
Holy Water Font outside St. Mary's Catholic Church in Stratford-on-Slaney Built in 1840's
Mary Hargaden September 2015
Stratford Lodge School - Baltinglass
Mary Hargaden September 2015
OSI 6" Map of Mill Site
Mary Hargaden September 2015
Remains of Calico/Cotton Mill at Stratford-on-Slaney
Mary Hargaden September 2015
Remains of entrance to Mill Buildings at Stratford-on-Slaney
Mary Hargaden September 2015
Remains of gable wall at Mill Buildings Stratford-on-Slaney
Mary Hargaden September 2015
Bricked wall detail at Mill Buildings Stratford-on-Slaney
Mary Hargaden September 2015
Remains of Mill Buildings at Stratford-on-Slaney
Mary Hargaden September 2015
Window detail on Mill Building at Stratford-on-Slaney
Mary Hargaden September 2015
Remains of water ducts at Mill Buildings Stratford-on-Slaney
Mary Hargaden September 2015
Small bridge/duct at Mill Buildings Stratford-on-Slaney
Mary Hargaden September 2015
Flax Scutching
Arkwright Water Twist Mill
Stratford Family Tomb Baltinglass Abbey
Mary Hargaden September 2015

This article has been compiled for the Heritage Office in Wicklow using Lewis’s Topographical Dictionary 1838 as baseline information. This and other valuable historical records are stored in the Local Studies Collection of Wicklow County Council Library service and may be viewed by appointment.  Other information was found in OSI Maps and secondary sources quoted below.  

Stratford-on-Slaney is a small town with a big industrial history and it played a very strategic and documented role in the cotton/linen industry of Ireland in the 18th and 19th centuries.

According to Lewis 1837 Stratford-upon-Slaney was a market town in the barony of Upper Talbotstown 2 ¼ miles NNE from Baltinglass.  At that time the town contained 2,833 inhabitants. Edward the 2nd Earl of Aldborough, who built this town gave it his family name Stratford.  It is built on the summit of a hill raising up from the river Slaney.

There were extensive cotton and calico printing works established in Stratford-on-Slaney in 1792 and in 1837 the owners of this facility were Orr and Co. who bought the factory from the Stratford family. It employed about 1,000 people and turned out about 2,000 finished pieces per week.

The infrastructual buildings erected by Aldborough in the town included a glebe house, several dwelling houses, a Roman Catholic Chapel, a Meeting House for the Presbyterians of the Synod of Ulster and an Anglican Church called St. John the Baptists which was based on Gibbsian architecture according to Lightbrown.  The first fever hospital in Wicklow was built here in 1817 and there was a town dispensary which contained twenty four beds.  The castle which is on the 1800’s maps was also refurbished by Aldborough.

In the early 1800’s according to Millenium Memories the town was lively and bustling with the linen and printing works.  In the village there were twelve streets, containing 108 houses, four squares, Winetavern Street, Church Road and the Octagon.  There were at least thirteen public houses

According to Millenium Memories the famine and the deadly fever in 1847 had a very negative impact on this prosperous town.  Many if not all of the emigrant workers returned to their native places of Paisley in Scotland and Hillsborough Co. Down.  The mill sold for the last time in 1852 and “by the mid 1960’s, Stratford stood bare, with the exception of a dozen or so houses and the ruins of what once was one man’s dream” namely the 2nd Earl of Aldborough.

Earl of Aldborough

The 2nd Earl of Aldborough was also called Edward Stratford and The Viscount Amiens, he built “Aldborough House” in Dublin’s Portland Row. Statford Row, Aldborough Place and Amiens Street in Dublin all derive their names from this man (Moloney 2014). Aldborough House is now derelict though several of the features remain.  According to Archiseek, it was completed in 1798 and it included a music room and a playhouse. “It is built of brick and cut granite and at one stage had a ballustrade all the way around the paraphets, with urns, eagles, sphinxes, lions and coats of arms. According to the ‘Aesthete’ website, “Lord Aldborough failed to take into account the consequences of the 1800 Act of Union which led to a ..decline in the city’s fortunes and left his great town house stranded”. Some of it was built by the architect Richard Johnston and it was according to Archiseek the last great mansion to be erected in the city before the 1800 Act of Union in 1800, when Dublin ceased to be the 2nd City of the “Empire”.

The Earl was one of the ten wealthiest men in Ireland according to Lightbrown,  he built the town of Stratford-on-Slaney from 1774 onwards on the Manor of Manger.  At the time of building Stratford-on-Slaney he was also building Stratford Place, off Oxford Street, which was one of the finest small developments of late Georgian London and is still mainly intact.  His main purpose for this town was to attract the textile industry to this area.  This town was to be modelled on the “fashionable resort” of Bath in England.  The Earl built housing and laid on water and other necessary infrastructure in the town.

Aldborough also continued to improve and established several industries at the main estate house in Belan, Co. Kildare which was built in 1709.  This demesne included several feature bridges over the Barrow river and at one stage incorporated exotic fish in man built ponds and lakes.  The house also had its own theatre and an extensive library.

According to Fraser, Stratford Lodge where Baltinglass Golf Club is now situated was a seat of the Aldborough Family and in this demesne there were school houses, a hotel, plantations and other improvements associated with a demesne. “The last Lord Aldborough Benjamin O’Neill died unmarried in Spain in 1875. He had spent his time in Baltinglass experimenting with Balooning”. (Information Boards, Baltinglass Library).

Mill Owners – William & John Orr – Smith Orrs & Sons

The Aldborough Family sold the Stratford-on-Slaney enterprise to Mr. Orr. The company which owned the manufacturing facility was called Smith Orrs’ & Sons with a Dublin address of 8 Merchants Quay and it was in operation in this name between 1782 and 1795 (Langfield 1945).

After protections were imposed by the independent Irish parliament on the import of cotton goods, W & J Orr instead of importing cotton goods started to manufacture in Ireland.  It established a base for weaving and bleaching muslins at Hillsborough near Belfast.  In early 1790’s it added calico weaving and printing at Stratford-on-Slaney and by 1796 it was employing 3,000 people between Hillsborough, Dublin and Stratford.  The Orrs’ had a manufacturing profile in Scotland as well. They eventually ceased muslin production in the North of Ireland and concentrated on calico weaving, bleaching and printing in Wicklow importing their yarn from Britain and buying a significant amount of their stock from the North as brown cloth (Nisbet & Foster 2008).

Between 1740s and 1770s a small colony of Scottish merchants established itself in Dublin importing “Scotch” textile goods.  These firms included Barbour & Duncan, Barbour & Howie, William Bayne, Gemmill, Smith and others which were based in Bridge Street, Ushers Quay and Merchants Quay.  A lot came from the Paisley area of Scotland.  They wanted to secure the luxury market.  Ireland at this time was the 2nd largest city of the Empire.  Grants after 1782 were available to factories located more than ten miles outside Dublin.  Machines used were ‘jennies’ but by 1783 a grant was made towards the construction of an Arkwright water twist mill.  In general grants were made to partnerships between landlords and merchant manufacturers.  By 1785 quality of Irish output was sufficiently high for Irish printed cottons to be successfully exported to Portugal and Latin America. The Orrs’ bought the established factory village at Stratford-on-Slaney in 1791 and said that it would cost £20,000 to develop it as a weaving, bleaching and printing centre.  They formed a partnership probably with Archibald Smith of Merchants Quay in 1791.  The advertisement at the time says that the Earl’s  venture consisted of:

  • 36 new stone and slated houses
  • 1 partially built school
  • 14 roomed mansion 
  • Bleachfield and bleaching house
  • Factory for printing linens
  • Mill
  • Dyehouses

By the end of 1790’s the Orrs’ had got a good foothold on the Irish cotton/calico industry.  The production of muslins and calico printing provided them with high-value end products which went directly to the retail market and produced larger profits than inputs such as yarn or brown cloth.  The works were reportedly sold into the ownership of John Swainson a Preston cotton merchant around 1837. The Orrs’ continued their business in Scotland (Nisbet and Foster 2008).

The Stratford-on-Slaney enterprise was in business for about 50 years and according to Atkinson a complete labour force was brought over from Scotland to and Northern Ireland to work in the factory at Stratford-on-Slaney.


Making Calico – Memories of West Wicklow 1813 – 1939 – William Hanbidge.

The Hanbidge name was popular in the Stratford-on-Slaney district as evidenced by the many headstones of this name now in the St. John the Baptist Church graveyard.  William Hanbidge has written a memoir which describes in interesting detail, some of the stages of calico and linen production from flax grown in this district in the 1800’s.  Hanbidge said that flax was sown in Springtime and “in due time was pulled up and tied in sheaves and carted off to the ‘blind arch’ of Kelsha Bride” (Kelsha and Gibstown were bridges over the Slaney  and the ‘blind arch’ was an arch over a very deep pool separated from the river).  The flax was “put under water (bogged they called it) to help to separate the fibre from the stalk. After a few weeks’  it was taken up and carted back and spread on the new mown meadow to dry”.

“When it was dry it was tied up into large (now) white bundles and put up in safe place till winter when it was dried on a hurdle over a fire broke with a brake, skutched, carded or hackled”.

  • Broke with a brake:  the stalks of the flax were crushed with the proper tool
  • Skutched: the seeds were beaten out, I suppose with a flail. The same word was used for the  separation of grains of corn from the husk.
  • Carded: “a thin wooden board with a handle attached was pierced with steel wire, as fine as a fine sewing needle. The wire was fastened to the back and cut at the top so that the board was studded with tiny points, or hackles, of sharp wire each about a quarter of an inch long, arranged in rows.  The flattened stalks of the flax were drawn backwards and forwards over the points till the fibres were combed out, thin and straight.  The board was about one and a half foot square or sometimes only the size of an octavo book”. 

One could earn a living carding for others.  The flax would then be spun which was music to the ears.  A pound of flax was spun into hanks of yarn each twelve cuts containing 120 threads which were sent then on to be woven into linen.  Out of the tow of the flax, yarn was spun to make table cloths, linsey linen (a coarse fabric), sheets etc., Some of the coarse material was used for sacks to hold 40 stone of potatoes.

A family could have everything they wore manufactured and this included coats of wool, stockings of flannel and other attire in linsey linen.  The threads would be sent to Jack Flynn to be woven and then to the dyers in Donard who before dying it sent it to the tuck mill where the weave would be improved.

“On the cross road from Kelsha Hill to Davidstown Chapel there was a little hamlet of about twenty families, a small colony of weavers who wove blankets and linen for the countryside”.

Memories of Mary Ann Hanbidge – daughter of William Hanbidge (1938)

Mary Ann Hanbidge lived in Tinnahinch House, (the house of the river meadow) “which stood far back from the road down Kelsha Hill”. According to Mary Ann Hanbidge her cousins told her in 1938, that on a “May day, very early in the morning, farmers would plant twigs of the quicken tree (the mountain ash), all about their pastures to keep the witches ‘the bad people’ from casting a spell on their cows so that they gave no milk during the year”.  “On May Day also it was unlucky to give or lend anything whatever out of the house to a neighbour, milk, utensils, etc. The worst thing to give was a glowing turf to revive a fire; that gave the borrower power to lay a spell on cattle”.  It was “unlucky to give the stalled cattle food between Old Christmas Day and New Christmas Day, so the mangers in the sheds were made large enough to take the full supply of food for the twelve days”.

“It was most unlucky to destroy a rath, or to cut down whitethorn trees growing beside one”.  There were many stories about raths, moats and Danes’ castles. Her father told her that “the Glen folk used to pass newborn children through dung”. The use of dung as a “disinfecting medicament” was more folklore than superstition: the Arabs used it as a poultice for boils etc.”a dung poultice is regularly used in Ireland for cows and oxen and for horses’ sore feet; people say that the green herbs on which the cattle feed give virtue to the dung” There were many other “cures” mentioned in her memoirs.

Traces of elder faiths lingered on in the valley: people got up early on Easter Sunday morning to see the sun dance; there was witchcraft, “the Banshee used to wail around Ballintruer”, those ancient mounds the Raths were haunts of fear, the hollows of old stones held magic water…there was cock fighting bull baiting and drunkenness.

What remains now

St. Mary’s Catholic Church has been rebuilt on the site of the previous Catholic Church built in 1780’s by Stratford.  St. John the Baptist’s Anglican Church was built in the late 1700’s and was originally a Presbyterian Church. Some ruins remain of the cotton/calico factory. The Stratford National School built c. 1870 remains in situ near the Abbey in Baltinglass.

In the grounds of the Abbey the Stratford’s built a pyramid style granite mausoleum for his family.

The Forge, Dispensary and Barracks along with most of the houses built by Stratford are gone. However, what remains is a village full of flowers which has won many Tidy Towns Awards including a Highly Commended Award in the Tidy Towns Competition in 2014




Aesthete The. Available at:

Archiseek. (2010)

Fraser, J., 1838. Guide through Ireland descriptive of its scenery, towns, seats, antiquities, etc. with various statistical tables … Dublin: W. Curry, Jr. and Co.  Dublin.

Hanbidge, William. & Mary. (1939). Memories of West Wicklow 1813-1939 . ed. Mc Cormack W.J. UCD Dublin.

Information Boards, Baltinglass Library.

Langfield, Ada. K. (1945) The Journal of the Royal Society of Antiquaries of Ireland. Series 7, Vol XV, PP 24-31 Linen and Cotten printing at Stratford-on-Slaney, Co. Wicklow.

Lewis, Samuel. (1838). Lewis’s Topographical Dictionary of Ireland Available at:

Lightbrown, Ronald. W.(2008).  An Architect Earl: Edward Augustus Stratford (1736-1801) 2nd Earl of Aldborough. In Association with The Irish Georgian Society.

Millenium Memories, Stratford-on-Slaney National School December 2000.

Moloney, Donal. (2014) The available at:

Nisbet, Stuart & Foster, John. (2008). Protection, inward investment and the early Irish cotton industry: The experience of William and John Orr. University of the West Scotland. Irish Economic & Social History. Volume 35 (2008) pp 23-50 Published by Manchester University Press Available at:

O’Grada, Cormac.(1993) Ireland Before and after the Famine Explorations in Economic history 1800-1925, Manchester University Press.

Ordnance Survey of Ireland (1829 – 1841). 6” Maps.

Ordnance Survey of Ireland (1897 – 1941). 25” Maps.

Comments about this page

  • Thank you for this fascinating article about a place I didn’t even know existed until this week. The information about the flax processing was something I often wondered about, how that spiky, almost hostile, plant was converted into a thing of such softness and beauty. Many thanks Mary.

    By Catriona Woolner (22/10/2022)

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